Category Archives: Grateful Dead

Is it safe to come out yet??? I mean, the world of antisocial media has been a battlefield for a few months. All of my favorite folks suddenly became Political Science majors and my newsfeed has been taken over by prophecies of the apocalypse. Some of the same people that needed a gofundme page to get their 1984 Chevy Van fixed suddenly have all the answers on how to repair the nation’s economy. Folks that can’t get along with their own family and friends have all the answers about how to get along with the rest of the world. It seemed as if overnight, people started trusting at least one side of the government. I don’t know about you, but I’ve never trusted either side. Back in my days on full-time tour, I thought everybody was potentially part of “Operation Dead End” and didn’t exchange much significant information or talk too much with anybody. I was certain the government was trying to listen to my phone calls or watch me through the peephole of my hotel room door. Maybe via a camera that was in the wall behind a cheap painting or a mirror. From ’85 on, I looked behind every picture that hung on a hotel wall and immediately put tape over the peephole upon check in. Any time a helicopter flew by, I was worried it was taking thermographic pictures of the grow house. Glad I made it through those days. I still don’t trust the government tho… None of em… I’d like to welcome all the Russian Hackers and spam artists that signed up for my blog in the past few months as well. I’m not sure what you’re expecting to find here but Good Luck! I’m cleaner than a newborn’s breath.

The thing that bothers me most nowadays is that jokes aren’t allowed anymore. Mama Mia… Make a comment about a person that happens to be female and you’re sexist/misogynist. Make a comment about somebody that isn’t white or republican and you’re the enemy of the Liberal universe. Seems like Donald “The Tangerine Latrine” Trump has messed up everybody’s ability to laugh about anything. I spent a few months in retirement just playing shuffleboard, getting fat and being accused of all kinds things I’ve never been. Dead & Company Tour can’t come soon enough.

After months of dealing with the constant barrage of toxicity, vacation couldn’t have come soon enough. The family headed to Florida’s west coast for a little R & R. If you’re ever visiting the Sarasota area, The Sunday night Drum Circle on Siesta Key is a must. It goes down around the same time as the sun and has to be one of the best drum circles in the world. It’s not that noise you might get from a few spun out wooks in a parking lot somewhere. It’s something very special.  I highly recommend you make it there when you can if you haven’t already. It was an extremely cleansing way to kick off a great vacation.

Upon my return, I’d like to thank Steve Silberman, for hooking me up with a ticket to a partial preview of The Long Strange Trip. It was a pleasure experiencing the preview with Steve and he’s a beautiful soul. As an aside, DO NOT attempt to make any jokes on Steve’s FB page… I made a comment about Angela Merkel not being the warmest human being ever born and was immediately shot at like I was a gay deer on a Radical Islamic hunting trip. It’s not my fault that folks from Germany aren’t known for their inner warmth.  I said her personality was “colder than a penguin’s asshole” but those of you that really know me, know I didn’t mean much by it. You would have thought I pimp slapped Mother Teresa while she was feeding orphans. The last time I came across that many irritated asses, I was at a Montezuma wing at a Mexican hospital.  I’m done hiding because folks are aggravated. I Love everybody and there’s not a damn thing you can do about it. Y’all are free to say whatever you want, so am I. I won’t stop caring about you if we don’t agree.

Let’s move on from there… The Sneak Peak of The Long Stange Trip was exactly what we all need about now. I personally wish it would’ve been released a little earlier with a few Dead & Company dates in late Winter or early Spring. Folks really need an escape from their TVs and 24-hour news channels about now. The movie is a masterpiece that gives US everything most of US want. More Garcia! While I’ll attempt to refrain from giving too much away, the first 30 minutes revolve pretty heavily on Jerry. It’s a half hour before you get the first segment with someone other than Garcia with a clip from Phil. As nice as Phil’s clip was, I was looking forward to the next clip with Garcia. I prefer most of my Dead experiences to be as Jerrycentric as possible. If you do too, you’ll be extremely happy with this film.

The film is brilliantly put together and the seeds that are dropped early on seem to grow steadily and are found sprouting throughout the various scenes and segments as it moves along. One of the things that is most impressive to me is the amount of high-quality video that obviously exists that we haven’t seen yet. You’ll be amazed by the footage from shows and events that we’ve all heard, read about or experienced but never knew were filmed. It leaves you wondering how much exists beyond the boundaries of this film and if or when we’ll get to see more. One of the things I miss most from GDP is the View From The Vault series. It’s wonderful to hear the releases as they trickle out but for me, watching Garcia and everyone else play while I listen is something I definitely crave more. What do you say GDP? How about getting some more Views From The Vault out?

One of my favorite clips from the movie was a brief piece about Robert Hunter. I won’t ruin it for you but when you see the movie, you’ll know exactly what I’m talking about! Hunter isn’t nearly as interested in participating in our world as we are to have him participate. It’s definitely something I admire about him. He’s had little desire to be seen much over the years. Even less since Garcia’s passing. He’s not interested in helping you figure out what he meant by his writing and songs and one might assume, even if you seemed to have a little insight, he would likely refuse to confirm or agree with you regardless. He might even change his own mind about what he meant just to make sure you’re not right. I love that and what I love most is that he probably wouldn’t give a shit if anybody loved it or not.

The next segment of the film could aptly be named, “The Life And Times Of Steve Silberman”. Steve plays a pretty big role in talking about US. The community of Deadheads and our view of the scene. He articulates our collective feelings and experiences in a profound and meaningful manner. I’m certain that his commentary will ring true with those that are reading this. In the segment that revolves around US, you’ll feel like you know or at least have seen everybody that’s been captured on film. There’s a small piece about Tapers that I appreciated as someone that spent 2 years as one of them. Weir comments about how tapers just showed up and business people have talked about how smart of a marketing move it was to let people tape the shows. He said they had 2 choices, be the police or let them tape. They didn’t want to be the police so they just let it go.  I guess they became brilliant marketers by just refusing to create more rules that would limit the freedom that was always a hallmark of the experience. Another segment that really stood out was a young lady talking to someone with a video camera that will remind you of all of the incredible, charismatic, snarky and intelligent DeadHead women you’ve known throughout the years. You’ll know her when you see her and you’ll love her to pieces!

The Long Strange Trip movie is exactly like The Long Strange Trip we’ve been on. The number of moments that command your attention occurs so often that seeing the film more than a dozen times won’t be uncommon. I had the feeling as I was watching that it was impossible to take it all in at once. The only times the smile was removed from my face were the moments it was replaced by a few tears. The movie captures the emotion that’s at the center of our experiences and passes it on in a way that makes an hour feel like a fraction of that time which is good since the film is over 4 hours long. Just like our experiences on tour, there are countless moments in the movie that will drive commentary about it for years to come.

In the post-viewing Q&A, Amir said the film was acquired by Amazon because of DeadHeads in high places there. He said there would most likely be opportunities to view the film on the big screen around the time of its release and that events were being planned by Amazon in order to do so. I believe some of them have already been announced. A film this big definitely should be experienced on THE Big Screen! I’ll be sure to take advantage of that in the NYC area. Aside from FTW and the emergence of Dead & Company, this will definitely be the best thing to come out of our community in a long, long time. See ya at the movies in late May!

Dead & Company will be firing up their rehearsal sessions in a week or two and we’ll be seeing shows together again before ya know it!  There will be some exciting news to report between now and then and I’m not responsible for letting you know what’s fake and what’s not. You’ll have to figure that out on your own.

For those of you that dig The Blues, my cousin Bobby Messano has a new CD out. Cuz is KILLIN it on the Blues charts with this one. I’m glad he’s taken a rough stretch of time in the life of the planet, as well as his own to create this work of art.  This CD might blow up huge for him after 40 years in the business. You can check it out along with Tour Dates at http://www.bobbymessano.com/ His live shows are definitely geared toward the jamband crowd with solos and improv jams taking songs deeper. Maybe he’ll get to play Lockn or one of our Festivals some day. He’ll be touring extensively in the months to come, if you see him on the road, tell him I sent ya! He’ll sign a block of government cheese or a tortilla for ya!

I’ll be posting a lot of stuff via https://fans.com which is similar to FB without everyone bitching about the government. Check it out if you haven’t already.

Talk to y’all soon!

Dead To The Core,
Dean Sottile (pronounced So Tilly)

@gd50th on Twitter

Grateful Dean on Facebook

 

jerry_tiger-aug08b

Dead Heads have expressed dramatically different positions on Tiger making some appearances this past week. It seems as though Tiger’s owner, Jim Irsay, made sure the news made headlines when Tiger was shipped out west. The article first appeared in Irsay’s hometown paper, the Indianapolis Star, and was picked up by just about everyone else in the hours and days that followed. It seems as though it really just showed up without a whole lot of notice or conversation preceding its arrival. “It’s like Steven Seagal showing up at your gig with his equipment and asking where he should set up” said a famous bass player.

The story was written like Tiger was on loan to Dead & Company for use by John Mayer. The conversations about whether or not Tiger should be played by Mayer or anyone else began almost immediately. I think Irsay approached the whole thing entirely wrong. He was way too heavy handed in his approach to people he didn’t even know. Then, as if he wants the world to know about the favor he’s doing, he gets his paper to do a write up about sending the guitar out west.

I had a conversation with somebody that isn’t a nobody regarding the chances of Tiger being played this Summer with Dead & Company. He pointed out that John, as with many musicians, is completely obsessed with his sound and gear as well as his instrument. He’s extremely particular about the way his guitar is set up to play and spends considerable time making sure all of his equipment is exactly as he wants it. He tinkers and dials in his gear with the intensity of a tweaked out meth head locked in an appliance store with a bag of screwdrivers. John is not the kind of musician that’s just gonna play any instrument that gets thrown at him. He’s not willing to compromise his own expectations of excellence to satisfy anybody else. At this point, it doesn’t matter whether or not you like him, he’s 100% ALL IN and the majority of US are happy about what he’s bringing to the party. More importantly, the rest of the band is 100% behind him and that means much more than what anybody else thinks. Complaining about Mayer is like complaining about the weather. You can do it all you want but it doesn’t change a damn thing. Brother is killing it! We should ALL show him the same level of respect that he has shown for the music.

While I’m at it, after the show at The Fillmore, I’m not sure how anyone could complain about the state of the music coming out of Grateful Dead Land. That night was inspired by the legacy of the music and the artists that are currently in possession of The Sacred Trust. That along with a heavy dose of the Magic provided by a fan base that brings unequaled vibrations and energy to season the air that fuels the fire of the experience! We should probably all get a paycheck for what we provide as an audience! Bernie would make that shit happen. He’d take some of the loot away from the elite on the stage and transfer it into the hands of those that help maintain the incredibly creative environment that allows for the birth of transcendental experiences! In keeping with that socialist thought, the band provided that one for free! Much like socialism, millions continue to go to those at the top and we get occasional and small complimentary tokens in return. That’s all I’m gonna say about that… Pay It Forward y’all!

The night at The Fillmore proved that the band has gelled, become familiar and comfortable with the material as well as each other and are taking this shit up to a whole new level. The band was aggressive in their approach to the music and seemed to attack it in a way that was fresh and revitalized yet again. The energy that drives the pistons of the machine seems to come heavily from the side of the stage where Bill, Oteil, and John reside. The wave only gains momentum as it passes through Mickey, Bob and Jeff, who we still can’t hear. That power would definitely be more balanced if I had control of Jeff’s volume. I’m sure their mix is exactly as the band leaders want it so I should just go fuck myself… “It was awesome to have Sammy come out and sing Loose Lucy” said nobody in the crowd. For those of US that can’t make it through a set without a trip to the bathroom, it was good to hear Queen Jane back in the rotation. Queen Jane gives everybody ample time to use the bathroom, even if severely constipated. That tune has about 6 too many verses and like the bowels of the constipated individual goes absolutely nowhere. I know, I know, some of you love it. You’ll be happy to hear it again. I’ll just be happy to drop a deuce before the lines get too long and sill have time to pick up a beverage and eat a personal pizza all while getting back to my seat in time for the next tune.

Back to Tiger. So far Tiger has been seen but not heard. I got this intense reminder of showing up at Dead Shows throughout the years and just seeing Tiger on its stand on stage. That guitar on a stand by itself had more stage presence than 99% of the musicians that have ever lived. The potential energy that sat dormant while Tiger was resting was unspeakably powerful.
Tiger

It was great to see Phil holding the greatest instrument ever made before playing the hell out of 9/18/87 at TXR. I heard a rumor that 5 of the 6 strings are still the original strings that were on it when it was auctioned. Imagine if John came out and got all crazy juiced up playing Garcia’s guitar and broke 4 of them on the first song. He wouldn’t take that chance. I’m sure the strings would most likely be removed, safely stored and replaced by new ones if anyone was going to play it on stage. Here’s some information that you can take to the bank. Based on Irsay’s approach to the whole thing, which didn’t sit well with Mayer according to officially unofficial sources, you might not hear much from Tiger. Things like that can get settled but if you thought that John would play entire shows with Tiger, like Warren has with Wolf, you’ll most likely be disappointed. If one of Garcia’s daughters approached John and said they would really enjoy hearing him play Tiger, I guarantee we’d hear the Tiger Growl once again. That hasn’t happened yet. Irsay’s approach to the whole thing didn’t have the same impact. If we do get to hear Tiger played by John, it will be for a song or two per show and that’s about it. If your expectations were for it to be played for entire shows or the entire tour, they won’t be met. If you didn’t want it to be played at all, you can find solace in it being played in a very limited capacity, if at all. I doubt Weir would have it configured to be played by him but ya never know… That would definitely require way too many changes to the instrument and would still only be appropriate in an extremely limited fashion. The damn thing weighs as much as a 7-year-old.

60 minutes had a great episode that was about Stradivarius violins and the Museo del Violino in Cremona, Italy. They have the world’s greatest collection of Stradivarius violins and a woman whose job it is to play them all regularly. The segment talked about how without being played, the instruments basically die. I thought it was an incredible thing to have the realization that the instruments themselves have a life of their own. Without being properly exercised they would turn to warped and useless materials that were once the finest of violins. Check that episode out if you’d like. It was fascinating. In the same way, Irsay has an impressive collection of guitars and a full time guitar tech that plays and maintains all of them. Tiger does get played regularly, it just hasn’t been played for US in a long time.

Of course, there was a lot more that went into Tiger’s sound than just the guitar itself. First and foremost was the man whose soul played through it. We’ve always known that will never be duplicated. Playing Miles’ horn won’t make you sound like Miles most likely. It’s not the air but where the air comes from and the vessel it comes through that makes the biggest difference. Same with Tiger. Add to that the glowing meters of the McIntosh Amp and the rest of the rig that Garcia played through and there was a lot more to Garcia’s sound than just Tiger. While I would absolutely LOVE to hear Tiger growl again, I’m not sure what will become of that in the future. It most likely will NOT have a very prominent place with Dead & Company.

We should really ask Trey while he’s still alive how he would feel about his guitar being played after he kicks the bucket. That would save an entire generation from having this conversation in the future.

Can’t wait to see you on the road! We’re almost there! Love y’all forever and there’s not a damn thing you can do about it!

Dead To The Core,

Dean Sottile (pronounced So Tilly)
The Official Home of Unofficial Grateful Dead and Music News & Grateful Dean on Facebook
@gd50th on Twitter